As a writer I believe it is important that the words are clear and the meaning, vision of what I am saying is easy for the reader to picture. I’m not saying I would like to spoon feed plot because it is also important that ye old brain-cogs get a work out sometimes as well, and if you have to work and remember and think about the story, then you do get more from it.
But in terms of making the writing clear, for me I’m likely to turn away if the writing is too much like hard work and I think the same applies to a storyline that starts to seriously disappoint or concern me. I have to admit that I’ve become a terrible reader and so scared about the emotional impact of what I’m reading that I really have to take a mental run up to books. Luckily in all of this I have discovered Robin Hobb, and she is amazing.
What am I afraid of reading? Well, as an aspiring writer I’m terrified of finding my book already published. The story I’ve been slaving over, written by someone else (better) and in the bookshops. This has turned into something of a recurring nightmare.
Secondly, I worry too much about the characters. There has to be a happy ending for me to enjoy reading the book. I have to feel confident that the author will provide me with a sense of resolution. The first book I really put down half-way through the Juliet Marriliers Blade of Fortriu. I was so invested in the narrative that when it reached a mid-way point, and it would not be possible for resolution to be complete, I had to put it down. It took me over a year to re-gather my courage and return to the story and I couldn’t start at the beginning in case it was too much! (Such a reading wimp!)
But although this sense of ‘happy ever after’ is I demand from a story I’m not convinced if I would necessarily agree from a theoretical stand point. Shouldn’t ‘Happy ever after’ also be complicated, realistic, aspirational? Should I be a more emotionally mature and complex person and encourage that in my reader? I’m not promising anything.
Thirdly, a sure way to put me off a story is to falsely advertise.
I LOVED Trudi Canavans The Black Magicians Trilogy. I bought all three books because they were on offer and devoured them in two days back in 2005. I was therefore delighted when the first of the Age of Five was published and acquired it as a pre-order hardback. For the first chapter I was enchanted, enthralled and delighted that I would get to read the story of this amazing girl growing up to be a member of the white and the trials and challenges that would entail. Then the second chapter happened. Did anyone else feel utterly cheated? She was grown up. This was not the story of the girl growing into a woman. It may be petty by I felt so frustrated by the 360 of expected narrative that after struggling through the first third of the text, I put it down and haven’t picked it up again. I do plan to revisit it and hopefully connect with a series that I appreciate is loved by so many, but it’s at the bottom of my ‘to-read’ pile. I don’t forgive betrayal easily. Sorry book.
Finally, I tend not to read spooky stories, horror, crime or ‘true-life’ I know this narrows my field of literature and good writing but I realised a few years ago that my imagination doesn’t need help coming up with dream or nightmare material. I am usually very invested in what I’m reading and if I read for too long, I emerge a bit google-eyed and hazy on what is real and what is still the narrative replaying. When I read it is not so much imagining characters, it is experiencing their stories in 3d. It is amazing to go on so many adventures, but I certainly don’t want to provide my imagination with concrete horror to explore in my sleep! *shudder*
What would put you off a story? Should it have a happy ever after?